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Blackman was interested in capturing the same landscape at different times of day
Peart' s oeuvre was varied and marked by a continual evolution rather than any fixed style
For collectors of landscapes
The gesture was tongue-in-cheek: while they admired his avant-garde aesthetic
To read more about the fascinating process behind ‘Confluence – Tradition & Modernity and the Last Tribes of the Kunene River’
James Whitington 'Chair (Parisians III)' bright & vivid Blackman was interested in capturingJames Whitington is a master printmaker and artist. From 1977 to 2000 he worked with a range of distinguished artists including Brett Whiteley, Charles Blackman, Tim Storrier, David and Arthur Boyd. In 1989, he had his first solo exhibition of paintings and monotypes. Chair (Parisians III) is a strangely beguiling image. It is gestural and abstract, rough to the touch yet liquid to the eye. In the dance of Whitingtons marks are infinite allusions:
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