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She understood the camera better than anyone, Serrano says, echoing observations made by photographers and actors who worked with her, including Laurence Olivier, who famously did not get along with Monroe during the filming of The Prince and the Showgirl. Her reputation as being difficult on certain sets is also documented in a rather infuriating series of telegrams between director Billy Wilder complaining to her then-husband, playwright Arthur Miller, and Miller responding in defense of his wife
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